FINE ART

VESTIGIA I–V

Glen Middleton, 2026
Pigment in synthetic polymer

Vestigia is a body of five original works exploring permanence, absence and the survival of form. The title derives from the Latin vestigia: traces, remains, the marks left by something no longer present.

Across the series, fragments of classical sculpture, architecture and ornament emerge through shadow and negative space. The works consider what survives: partial forms, damaged memory and objects separated from their original time and function.

Each work is created by depositing tattoo pigment directly into silicone, a material engineered to approximate human skin. Removed from the body, the process carries the trace of a body without representing one.

THE WORK IN CONTEXT

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